Wore Her Wedding Lengha At My Wedding

The Swan Lake November 29, 2010 to January 5, 2011 Meeting

Ballet in four acts
topic and Vassili Vladimir Begichev Geltser
Music - Pyotr Ilyich Tchaikovsky
Choreography and staging - Rudolf Nureyev after Marius Petipa and Lev Ivanov
Decor - Ezio Friderio
Coostumes - Franca Squarciapino
Lights - Vinicio Cheli

Column
Orchestra Musical Director - Simon Hewett
production created for the Ballet de l'Opera National de Paris December 20, 1984

Stéphane Bullion (Wolfgang)

Argument (source: Opera National de Paris)
In gray, unlike the cutting music / choreography Nureyev

Prologue vision anticipated outcome

Stéphane Bullion - Karl Paquette (Siegfried)

ACT I

1 Scene: Party at the Palace - Waltz 2 - 3 Scene (Allegro moderato) - 4. No three (except the sequence II) (No. 5 passes for Act III pas-de-two of the "Black Swan") - 6 No action (here the tutor Wolfgang and Prince) - 7 and 8 in coups (ballrooms and Polish - danced here only for boys es) Adding a variation for Siegfried: the sequence II - Andante sostenuto - from No. 4 to 9 Final (Prince - who in traditional versions, leaves for the hunt - is still here, alone in his palace)

Beatrice Martel (The Queen) - Karl Paquette - Stéphane Bullion

Celebrating the birthday of Prince Siegfried. Wolfgang, the tutor of the young man, introduced the guests.
The Queen Mother of the Prince, accompanied among the knights. She invites the congregation to rejoice with her prince will soon take a wife. It will tomorrow, choose among the pretty girls she did come.

Stéphane Bullion - Karl Paquette

Prince seems absorbed with other thoughts. The teacher tries to bring him back to reality, homework ahead, but already the spirit of Siegfried escaped.

ACT II

10 Open - 11 Entry Odette - Swan 12 Entry - 13 Danse des Cygnes sequences of updates to VII in the following order: I. Waltz, V. No Action: adagio, (Odette and the Prince) - IV. Cygnets (Allegro moderato) - VI. Great Swan III. Change of Prince (usually cut), II. Variation of Odette (moderato assai), VII. Coda - 14 Final

Prince - lost in his dreams - are witnessing a female swan, completely white, his head adorned with a small crown. Amazed, Siegfried approaches her: she says she is a princess, her name is Odette and she was changed into a swan - and other young girls who, like her, the wicked spells Rothbart, she may be issued this spell as one that will give him his love forever. Touché, Siegfried offers to Odette to be his savior.

Despite the interventions of a large bird of prey (Rothbart) who disturbs their sweet conversation, Odette and Siegfried exchange vows of love. Companions swan Odette formed a bulwark of their wings to protect them from attacks Rothbart.

Emilie Cozette - Karl Paquette

Siegfried asks Odette to go to a ball that tomorrow the Queen, her mother, gives the Palace, during which he must choose one that will his wife. He urges them to come, for it is he wants to marry. Odette protests that it would be impossible: his condition prevents him from swan. Siegfried, then says he does not want any other woman as his wife Odette and vows eternal fidelity. Farewells. With the dawn, the apparitions vanish. The Prince is upset.

ACT III

15 Entry guest - 16 Dance of the Dwarfs (entrance to the Queen) .- 20 Hungarian Dance (Czardas) - 21 English Dance different - 22 Neapolitan Dance - 23 Mazurka - 17 Waltz (presentation of bride) - 18 Allegro (entry Rothbart and Odile) The No. l9 is - in part - deferred to the next act and gave way to no action of the "Black Swan" on 2 Music # 5 of Act I with the addition of a variation for Rothbart (also derived from this waltz # 5 of Act I) - 24 Final

Karl Paquette - Emilie Cozette (Odile) - Stéphane Bullion (Rothbart)

In the palace in celebration, master of ceremonies gives the signal celebration. Queen leads his son, Prince Siegfried who seems absent, as foreign to the world around them.

After the entertainment of folk dances of countries sending their ambassadors, presents the Prince girls could hold his attention, and among which he could choose his future wife.

Stéphane Bullion - Karl Paquette

He denies all. When, suddenly, comes a mysterious creature, which resembles Odette surprisingly.
is she, never-doubt! As spellbound by this image, Siegfried sees it, hears it most, in whom he recognizes his beloved. It is yet
Odile, Rothbart's daughter than this one - by one of those magic tricks that are familiar to him - has turned into a double of Odette. And she's the Prince, abused by deception, marriage proposal. Rothbart
triumph Siegfried comes to perjure themselves, losing forever the woman he loved. Odette will be saved.

Stéphane Bullion Emilie Cozette

ACT IV

25 Opening - 26 Swan Entrance - 27 Danse des Cygnes - Odette 28 Entry - 29 Final Scene (entrance to Prince) Adage on music of the sequence III No. 19 of the Act III Storm

Siegfried, realizing his lamentable error, crashed into her grief. The vision of the lake is renewed. Among the swans, its unfortunate sisters, Odette mourns his lost love. Everything is finished.

Emilie Cozette - Karl Paquette

The "betrayal" Siegfried - even unintentionally - entails the completion of this spell: Odette will henceforth regain his human form.

Crossed by remorse, the Prince begs Odette to forgive him. Too late. Rothbart removes Odette Siegfried. The dream is shattered.

Stéphane Bullion - Emilie Cozette - Karl Paquette

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Upcoming events

Hello - hello, here are the next dates for the association:

• Audition Christmas between the School of Music and the Museum Chintreuil Saturday, December 11 at 19:00

• Sunday February 6, 2011 at 17h: the HFIA receives the Chamber Orchestra at the church Châlonnais Pont de Vaux. Entry 10 Euros, 5 Euros half price, free for children under 12 years.
  

• February 19, 2011: Winter Concert on the theme of Carmen, on the ground floor of the hall of Pont de Vaux. It will be a 'big' hearing with the participation of all groups of the school.

• April 2, 2011: Hearing in the spring hall of Fleurville. We cross the Saone and entry is free.
  

• April 9, 2011, 2030: Concert at the floor of the hall: this will be the call of 5, which we will play its gypsy jazz and colorful http://www.myspace.com/lappeldu5 ... Entry 10 Euros for adults, 5 euros for children under 18. Some snacks and drinks will be offered.
  

• June 18, 2011: musical journey in Lugny, mirroring the hike in prices of 2010 Pont de Vaux, with the realization of the project Charly REY, our professor of percussion and drums' The Wall 'by Pink Floyd.

soon.

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Where to spend Christmas Eve and New Year in New York?

It is time to reserve stay at the Christmas Eve and New Year in New York Company of the United States!

For Christmas with family or friends in the heart of New York, a stay of 7 days and 5 nights from Paris from 20 to 25 December 2010

The Beacon Hotel *** Upper West Side, just 20 minutes walk from Times Square. From € 1099 TTC quadruple room.

Hotel On Rivington **** in the historic Lower East Side for a trendy and slightly shifted. From € 1,319 inclusive in a triple room (continental breakfast included).

Parker Meridien Hotel ****, just steps from Rockefeller Center and Central Park, overlooking Central Park from the rooms. From € 1,539 including tax in double room.

Hotel The Peninsula New York *****, on 5th Avenue for a break in a serene elegant, discreet and attentive service in Manhattan. From € 2,449 including tax in double room (continental breakfast included).
Optionally, the pack "Magical Christmas! "Christmas spirit and magic of the illuminations in the appointment ...

Wednesday, 22/12: take a tour of Harlem in French, followed by a Mass Gospel (morning, Half day)
Thursday, 23/12: Tickets for "Christmas Spectacular" at Radio City Music Hall auditorium legendary NYC (16:00 representation)
Friday, 24/12: Visit NYC illuminated "Holiday Light Tower by Night "with special New Year's Eve celebration dinner (evening 5h approx.)
+ Free admission for" Top of the Rock "observation deck atop Rockefeller Center.
¢ Rates: Adults: 435 € - Children from 2 to 4 years: 185 € / from 5 to 12 years: 395 €

For New Year, a holiday to spend with family or friends in New York on December 27, 2010 January 1, 2011

(7 days / 5 nights from Paris)

Manhattan Times Square Hotel **** is just not Broadway theaters, Times Square, a favorite spot for a New Year in New York. The facility, equipped with 665 rooms and suites, a grill restaurant, a fitness center and a beautiful indoor pool was completely renovated in spring 2009. From € 1325 TTC quadruple room.

Hotel On Rivington ****, a beautiful steel glass building offering 100 rooms are simple and elegant bar-lounge, trendy restaurants and a fitness center. From € 1,499 inclusive in a triple room (continental breakfast included).

Parker Meridien Hotel ****, which offers 730 rooms with contemporary furnishings, a center for art fitness, spa and a beautiful indoor pool on the top floor. From € 1,829 including tax in double room.

Hotel The Peninsula New York *****, with 239 luxury rooms and suites, indoor pool with large windows overlooking the 5th Avenue, a spa, a renowned restaurant, " Fives, "and three bars, including the famous" Salon de Ning, offering stunning views over the city. From € 2,489 including tax in double room (continental breakfast included).

Prices include direct flights Paris / New York / Paris with Continental Airlines, airport taxes, fuel surcharges and security (268 € to 01/09/2010 **) + 5 nights at the Hotel Manhattan Times Square (ch. standard) or Hotel On Rivington (ch. standard continental breakfast included) or Parker Meridien (ch. Tower to Central Park) and The Peninsula (upper c.), including taxes plus a tour of New York in French (Half day). Issue costs of 20 €.
Prices do not include: Pack "New York Magic! "Optional. Meals. Drinks and personal expenses. Insurance. The fee (15 € per person). ** Airport taxes and surcharges subject to change without notice. Possibility to book, "New York City Pass, Broadway shows, helicopter overflights, restaurants ... Consult specialists or website: www.compagniesdumonde.com

Optionally, the pack" New York Magic! "New Year

Wednesday, 29/12: Guided tours in French Harlem, followed by a Mass Gospel (in the morning, half day)
Thursday, 30/12: Tickets for "Christmas Spectacular" at Radio City Music Hall auditorium legendary NYC (shown at 17:00) followed by a tour of NYC illuminated "Holiday Light Tower by Night" dinner party (evening, 4:30 approx.)
+ Free admission for "Top of the Rock" observation deck atop Rockefeller Center.

¢ Rates: Adults: 425 € - Children from 2 to 4 years: 175 € / from 5 to 12 years: 375 €

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few words from our last coffee Psychomot

On 19 October, in the context of events to defend our pensions, we were able to ask us to VI'N & KO who in the meantime had changed its name to newly "Mondrian" , 1 Quai Claude Bernard 69007 Lyon!

Gaëtan Munoz us his own reading of the text by Olivier Rachid Grim "From Monster to the child, the fear of anxiety," published in "Psychomotor Therapy and Research" No. 133, pp . 136-143.

He chose us read some excerpts that reflect more his own clinic patients with psychomotor multiple disabilities.

For him the key that brings Olivier Grim in this text, is the share of awareness or acceptance of our own monstrosity that emerges in the relationship reflected in transference-countertransference. Gaëtan tells us how, in the complexity of our work, it is important to establish reception facilities.

And because the psychomotor weekly therapy sessions are so small in the daily care and the patient's home with multiple disabilities in institutions, he chose to help the meeting between the patient and caregivers close to him in groupal in which he "sailed" from three patient-caregiver duos.

He tells us how this position sometimes marginally and sometimes involved in the observation of the duo and the return mirror he can do to help greet the patient with multiple disabilities in a human perception of person.

The debate on the work of psychomotor has been enriched by the presence of Natacha Vignon, but Cecile Faivre, which is not without reminding us that the study day was devoted to the ARRCP multiple disabilities. Ago as a step in the work that appears cyclically elaborated.

One point of the text was quite taken by Roland Obejas wisely. This is the time (p.141 top right) where Olivier Grim, in its consultation, said the parents of Illevick exasperation of the moment. This discussion showed interestingly our different understandings of the injunction healthcare movements in living.

I myself tried to open the debate to other clinics, offering to consider the despotism of some patients with anorexia nervosa as monstrous, or by describing how patients with cancer in late life can talk about their cancer as a monster that grows in them by the inhabitants without their knowledge. These openings were not included. But the approach of the patient with multiple disabilities, even in its theoretical and clinical thinking, she has not had a staggering effect on us? Roland raised his friendliness of most of our trade. We had to soften it by about a theme of our work so hard?

We concluded that coffee Psychomot by stating the theme of the next "The groupality psychomotor. It will take place on a Tuesday in February in the same coffee "The Mondrian" at the same times. We'll give you the exact date soon on this blog.

We spotted an issue of the journal Psychomotor Therapy and Research, No. 156, entitled "Treat-to-many and which contains several interesting texts. If someone wants to start the debate we with its own reading of these texts or another still under his clinic, he offers by mail. We are ready to guide him if necessary.

It would be nice if the text is selected before Christmas to allow the broadcast to each participant's Coffee Psychomot and he can have time to provide it and read it.

This trace our coffee Psychomot 19 October is a very personal record, certainly impression of what moved me most. I apologize for my forgetfulness that can affect psychomotor some who were present that evening. But then I invite them to bounce back on my comments on this blog supplementing them.

For ARRCP, Odile Gaucher-Hamoudi

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Christophe Duquenne (Siegfried)

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Paquita

Stéphanie Romberg - Guillaume Charlot - Stéphane Bullion

This season has presented a great variety of Paquita Ballet snubbed by the elders, except for Marie-Agnes Gillot and Karl Paquette, who have united to defend the style Lacotte cons youth rising, but at the very height overall.

Paquita is a ballet with no music, not a compulsive supported firefighter who still tired very quickly and in this context, investment dancers in the little extra that puts the logorrhea choreography was widely welcomed.

Marie-Agnès Gillot - Karl Paquette

With Marie-Agnes Gillot, a virtuoso of the absolute, there appears to be weightless is that when consorting with his partner, Karl Paquette zen yet to fingertips . The fire and cotton are relatively cheap household and chili made by Vincent Chaillet has made this trio an unbalanced distribution actually not that it seemed at first as to the view that the deployment stage interpretation and complementarity of each other. Representations technically solid, roundly supported by an Iñigo authoritarian, charismatic and a brilliant facility Paquita, a second degree humor very well taken, just enough drama to not force the incongruity of matching and even deal with it intelligently.

Nicolas Paul

The mass defections among the male dancers were accompanied by a second dancer Karl Paquette unlikely. At least boredom distilled by the interpretation of a dull Myriam Ould-Braham to dance particularly Smooth off and allowed it to show more personality on stage with flagrantly Marie-Agnes Gillot. The black and disorder Iñigo Nicolas Paul also suffered from the lack of response to this Paquita school too, only real disappointment in this series.

Stéphane Bullion - Emilie Cozette

Stéphane Bullion, Emilie Cozette and Yann Saiz, are the most romantic use everything to build around this rather thin story, a true comedy: they anchor a dance in which they clearly outline the functions, the unbearable excitement of flirting and jealousy and charging with the serene grandeur of their last act. The team met
very homogeneous, really honed the art of comedy, the story took off to a good burlesque tone, gently used by artists and subtle on the same wavelength. For the occasion, Stéphane Bullion wisely dons his rare and precious smile and Emilie Cozette authority light.

Emilie Cozette - Yann Saiz

Emilie Cozette shown in this ballet to both a scenic control both to the powerful gypsy heart tender to be submitted by Yann Saiz with know-how malicious, than to the sweet and naive Lucien turns dreamy and romantic in the first act, innocent and curious scene in the tavern, and powerful protector in the big step.

Stéphane Bullion - Emilie Cozette

The dazzling Dorothée Gilbert could shine even more if it had been supported by its partners, a Matthieu Ganio stiff dramatic terms, missing some teeth, technically, and conversely a Stéphane Phavorin theatrical excess that fact that finally, she gave the impression of dancing alone, and almost exclusively for her, rejecting its partners at the margins of history in favor of a personal demonstration of technology. Narrative ballet? Nay!

Ludmila Pagliero
Pauline Verdusen - Séverine Westermann

Mathieu Ganio, may be stifled by the exuberant Dorothy, seemed more comfortable with the serene Ludmila Pagliero. The couple is now more balanced and the dancer has very cleverly adapted the game a little awkward dancer. Dorothée Gilbert as she has not been served by Iñigo Allister Madin of which seemed out of a cartoon caricature, but it gives the young dancer's what seems most problematic in that Stéphane Phavorin too tends to pull the comic absurdity of roles that are sometimes caustic qu'humour or no humor at all. Ludmila Pagliero with fluid moves and integrated into the story has still imposed a very pleasant Paquita.
This production was created in 1981 and often repeated has also shown the excellence of the ballet, perhaps it is time to turn the page on this success.

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