Stomach Sitting On Women

Paquita

Stéphanie Romberg - Guillaume Charlot - Stéphane Bullion

This season has presented a great variety of Paquita Ballet snubbed by the elders, except for Marie-Agnes Gillot and Karl Paquette, who have united to defend the style Lacotte cons youth rising, but at the very height overall.

Paquita is a ballet with no music, not a compulsive supported firefighter who still tired very quickly and in this context, investment dancers in the little extra that puts the logorrhea choreography was widely welcomed.

Marie-Agnès Gillot - Karl Paquette

With Marie-Agnes Gillot, a virtuoso of the absolute, there appears to be weightless is that when consorting with his partner, Karl Paquette zen yet to fingertips . The fire and cotton are relatively cheap household and chili made by Vincent Chaillet has made this trio an unbalanced distribution actually not that it seemed at first as to the view that the deployment stage interpretation and complementarity of each other. Representations technically solid, roundly supported by an Iñigo authoritarian, charismatic and a brilliant facility Paquita, a second degree humor very well taken, just enough drama to not force the incongruity of matching and even deal with it intelligently.

Nicolas Paul

The mass defections among the male dancers were accompanied by a second dancer Karl Paquette unlikely. At least boredom distilled by the interpretation of a dull Myriam Ould-Braham to dance particularly Smooth off and allowed it to show more personality on stage with flagrantly Marie-Agnes Gillot. The black and disorder Iñigo Nicolas Paul also suffered from the lack of response to this Paquita school too, only real disappointment in this series.

Stéphane Bullion - Emilie Cozette

Stéphane Bullion, Emilie Cozette and Yann Saiz, are the most romantic use everything to build around this rather thin story, a true comedy: they anchor a dance in which they clearly outline the functions, the unbearable excitement of flirting and jealousy and charging with the serene grandeur of their last act. The team met
very homogeneous, really honed the art of comedy, the story took off to a good burlesque tone, gently used by artists and subtle on the same wavelength. For the occasion, Stéphane Bullion wisely dons his rare and precious smile and Emilie Cozette authority light.

Emilie Cozette - Yann Saiz

Emilie Cozette shown in this ballet to both a scenic control both to the powerful gypsy heart tender to be submitted by Yann Saiz with know-how malicious, than to the sweet and naive Lucien turns dreamy and romantic in the first act, innocent and curious scene in the tavern, and powerful protector in the big step.

Stéphane Bullion - Emilie Cozette

The dazzling Dorothée Gilbert could shine even more if it had been supported by its partners, a Matthieu Ganio stiff dramatic terms, missing some teeth, technically, and conversely a Stéphane Phavorin theatrical excess that fact that finally, she gave the impression of dancing alone, and almost exclusively for her, rejecting its partners at the margins of history in favor of a personal demonstration of technology. Narrative ballet? Nay!

Ludmila Pagliero
Pauline Verdusen - Séverine Westermann

Mathieu Ganio, may be stifled by the exuberant Dorothy, seemed more comfortable with the serene Ludmila Pagliero. The couple is now more balanced and the dancer has very cleverly adapted the game a little awkward dancer. Dorothée Gilbert as she has not been served by Iñigo Allister Madin of which seemed out of a cartoon caricature, but it gives the young dancer's what seems most problematic in that Stéphane Phavorin too tends to pull the comic absurdity of roles that are sometimes caustic qu'humour or no humor at all. Ludmila Pagliero with fluid moves and integrated into the story has still imposed a very pleasant Paquita.
This production was created in 1981 and often repeated has also shown the excellence of the ballet, perhaps it is time to turn the page on this success.

Pauline Verdusen - Stéphane Bullion - Marie-Solène Boulet - Emilie Cozette